AI-generated art

Partie 1:

        AI-generated art has ignited a profound discourse within the art world. To

delve into the axe "art and the debate of ideas," we can analyze three distinct

documents. The first document is an excerpt from a book, the second originates

from a journal, and the third takes the form of a drawing. We can observe that AI is

a product of the 20th century, and the alarming trend in the progression of AI art

becomes evident when we look at the dates of the documents. The first document

was written in 1973, while the other two were written in 2023. AI art exhibits a

multifaceted nature, with both positive and negative aspects. Consequently, we can

explore how the presence of AI-generated art contributes to a multifaceted debate

within the art world. To approach this question, we can begin by examining the

characteristics of AI art, followed by an exploration of diverse perspectives, and

finally, an investigation into the challenges and potential solutions that AI brings to

the realm of art.

        First, let's delve into the attributes of AI art. AI-generated art is produced by

machines, much like the robotic creation of light sculptures depicted in Isaac

Asimov's book on the first document. In this context, it tells us that the art wasn't

produced by Mrs. Avis Lardner herself but rather, as she puts it, "it was he who

created my light-sculptures," referring to a robot responsible for the artwork that

enticed guests. As Sarah Shaffi highlights in "The Guardian," AI art has become

ubiquitous. It relies on AI's ability to gather diverse influences to create something

new, as suggested by illustrator Anoosha Syed when she explains that AI doesn't

create art from scratch but rather blends elements from various sources.

Consequently, AI-generated art plays a significant role in reshaping the creative

landscape of the new generation.

        To continue, AI art elicits diverse opinions and sparks a debate within the art

world. One document suggests that AI art captivates audiences, evident in the

quote “it was for the light-sculpture more than anything else that the guests came,"

highlighting its potential as a legitimate form of art. However, contrasting viewpoints

from two other documents assert that AI art should not be integrated into the

traditional art world. Real artists express concerns about AI taking their jobs, as

mentioned in the quote, "They will prefer to use AI if it means keeping costs low. So

a lot of these small jobs will vanish." Furthermore, document C illustrates artists'

apprehensions about AI transforming the industry, symbolized by a drawing

depicting a robot painting a human. These conflicting opinions give rise to a

contentious discussion surrounding AI art.

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